Dancers in the Studio

Just because our season at The Joyce wrapped a couple of weeks ago, it doesn’t mean Ballet Hispanico has slowed down at all! Our School of Dance students are very busy preparing for their End of Year Recital at the beginning of June, and BH Company members have graciously lent a hand. For the past few weeks, our dancers have been visiting classrooms to help our students perform their very best!

Recently, Lauren Alzamora visited Ms. Kiri’s Spanish Class. This is what she had to say about her experience:

“I asked to see the girls run their dance for the recital.  This was outside of their normal routine, as it was in the first half hour of class, before practicing the piece in sections.  I was pretty pleased with the run, but since there is always room for improvement, I asked each girl to tell me a spot where they messed up or could have done better.  Every girl was aware of at least one or two self-corrections, and as suspected there were some commonalities. We had the girls time on their own to practice their individual self corrections.

I narrowed it down to three areas of focus and we worked on the clarity of steps and positions in those three sections.  Next time I visit we will work those three corrections at the beginning and run the footwork section before running the dance.  We will see what they held on to!

I love how every one of the girls demonstrated self awareness – it gives the teacher the opportunity to reinforce the virtue of self-responsibility.  We are teaching them how to use their self-awareness toward a better end result (by practicing their self corrections).

I realize it is important to give them clear goals to strive for in each section. And since they don’t come to class every day, reinforce what we spoke about each time – the power of repetition! Looking forward to next week!”

We’ll have more stories in the weeks leading up to the recital. Thank you to our students, teachers, and Company dancers!

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Tango Vitrola

For most, the idea of tango conjures up images of steamy Buenos Aires nightclubs full of men, with roses gripped between their teeth, leading ladies across the floor. While Alejandro Cervera’s Tango Vitrola (1987) does feature the key elements of a stereotypical tango milonga (strong men, beautiful women and sensual music), it also challenges an audience’s preconceptions and offers a rich and beautiful exploration of the dance form.

The choreographer, Alejandro Cervera, hails from Buenos Aires, where his first exposure to dance was in the home where his parents would tango with friends and family during parties. “Growing up in Argentina,” he said, “it’s hard not to have a lot of contact with tango and tango music, especially in the big cities.” Tango has been inextricably linked to Argentinean culture, in both beautiful and problematic ways.

Through the creation of Tango Vitrola, Mr. Cervera aimed to challenge the gender stereotypes associated with tango. He explained that in the 1980s, Argentinean society became “much more balanced, more egalitarian” and he sought to reflect these changes in his work. His Tango Vitrola is more democratic and less black and white than the traditional dance form.

The relationship between the partners are complex and certainly not straightforward. His choreography blurs lines of tradition. Tango Vitrola presents the tango as a dance between two people, not as a dance defined by their gender. The result is a work of strength, beauty and subtlety.

Ballet Hispanico performed Alejandro Cervera’s sleek and sexy Tango Vitrola (1987) during our sold-out show at The Apollo last December. If you missed it then, fear not! Tango Vitrola will be performed for the remainder of our 25th New York Season at The Joyce, now through April 28th. For ticket and performance information, please visit our website HERE.

Tango Vitrola (c) Paula Lobo

Vanessa Valecillo and Jamal Rashann Callender in Tango Vitrola © Paula Lobo

Sortijas – A World Premiere

Last Friday at the Dana Center for the Performing Arts, the Ballet Hispanico Company previewed Sortijas, a brand new work by leading Spanish choreographer Cayetano Soto. Cayetano, based in Munich, traveled to our studios last week to set his creation on the dancers, and we sat down with him for a chat about his personal career and his creative vision.

Ballet Hispanico’s collaboration with Cayetano has been an endeavor several years in the making. His new work, Sortijas, was intended to premiere during Ballet Hispanico’s 40th Anniversary Season, but his broken achilles forced a postponement. This setback did not discourage Cayetano, however. He said, “These were beautiful mistakes. There is a fate in everything, and this work was meant to happen.”

Sortijas, a lush duet set to music by Lhasa de Sela, reflects Cayetano’s commitment to the personal and intimate aspects of dance. For Cayetano, choreographing is an exploration of the self: “I aim to kill all my demons in the studio.” And he encourages his dancers to do the same. He empowers the dancers to tap into their own experiences and infuse them into their interpretation of the movement.

In addition to the beautiful movement and music in the work, Cayetano has collaborated with the fashion label Talbot Runhof, a German-American duo based in Munich, to design original costumes for Sortijas. Cayetano previously worked with them on his production of Carmen, and he is certain that the new costumes will make the dancers look “amazing” and “perfect” on stage. For more of the designer’s amazing collections, visit their website HERE.

Cayetano is certainly a busy choreographer: for the rest of the year, he will travel from Munich to Santa Fe, Sao Paulo, back to Santa Fe, and to The Netherlands. Despite his demanding schedule, he never compromises his work or his vision. A piece can never be truly finished for him: “Dance is a living art. Like a child’s education, the creation never ends. The process can never be stopped.”

To witness the evolution of Sortijas, you can catch its world premiere at Ballet Hispanico’s 25th New York Season at the Joyce Theater April 16-28, 2013. Visit our website HERE for complete performance and ticket information.

For a behind-the-scenes sneak peek at the piece, check out the photographs below taken during last week’s rehearsals!

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Images © Joshua Preston

Connecting Communities Coast to Coast

Today kicks off Ballet Hispanico’s week-long residency in sunny Santa Barbara, California. Our Company dancers will be busy giving free classes, workshops and performances, but they will also be supported by a fierce group of Ballet Hispanico educational staff. AnaMaria Correa, BH’s Director of Education & Outreach and the School of Dance, will join Artistic Director Eduardo Vilaro in narrating many of the performances, and Franchesca Cabrera, E&O’s Program Coordinator, will teach classes in the local schools.

This trip is particularly meaningful for Franchesca, a Santa Barbara native, because it marks her triumphant return to the city that prepared her so well for the successful performance and professional career she holds today.

We spoke to Franchesca over the phone from Santa Barbara as she waited out the holidays and her reunion with Ballet Hispanico. She offers a unique perspective on the significance, both for herself and for the communities, of BH’s residency there. She couldn’t stop expressing how lucky she was to have the opportunity to connect Ballet Hispanico with a town as rich in dance as Santa Barbara.

“My universes are colliding!” she exclaimed.

Franchesca spent her formative years learning and dancing in Santa Barbara, and she has carried this solid foundation with her across the country and back again, literally. Her current success as a performer in New York and an administrator at Ballet Hispanico supports her belief that you can make it anywhere if you stay positive, keep moving forward, and are open to new definitions of yourself.

“Santa Barbara afforded me everything, all of the skills that I needed to succeed at Ballet Hispanico. I can be more than one thing–a teacher, an administrator, and performer–while staying true to my roots.”

There is a real anticipation in the air prior to BH’s arrival in California. Franchesca spent the holidays making connections with everyone in the dance world there–old teachers, former students, peers–to get them excited about Ballet Hispanico’s tour. Santa Barbara, rife with Hispanic dance traditions so intricately connected with BH’s own mission, imparts a sense of family and community to anyone who enters.

Franchesca, now a vital member of BH’s family, cannot wait to help facilitate the exchange of ideas and dance between her hometown and her chosen career. Ballet Hispanico cannot wait to see what will come of this promising new relationship with Santa Barbara.

Read even more about Franchesca in this great article by the Santa Barbara Independent HERE and visit our website HERE to learn more about Education & Outreach at Ballet Hispanico.

Ballet Hispanico in Schools Across the Country

This season, Ballet Hispanico Company members have been impacting children’s lives across the globe, from the Dominican Republic to New York City. After their successful evening at the Apollo on December 1, the dancers headed down to New Orleans, Louisiana, for a series of dance workshops in collaboration with the New Orleans Ballet Association.

To get an inside look at our dancers working with children, check out this video featuring Donald Borror and Martina Calcagno teaching Latin Social Dance at a New Orleans elementary school.

Ballet Hispanico Workshop at Chateau Estates Elementary from Jefferson Parish Public Schools on Vimeo.

Next week, the Company takes off for an action-packed week in Santa Barbara, California. Click HERE for a complete listing of events, and stay tuned for more behind-the-scenes information.

Anticipation for the Apollo

Here at Ballet Hispanico, we returned from a restful Thanksgiving holiday eager for our upcoming performance at the Apollo Theater! After months of preparation, our performance is just days away.

No one is as excited as our Company dancers. Let’s check in with Martina Calcagno, who makes her debut at the Apollo Theater on December 1, and Lauren Alzamora about why they cannot wait to take the stage.

Martina Calcagno:

“It’s my first season with the company, and I’m excited about so many aspects. It’s going to be my first show in New York, and I’m honored that it’s in a theater as historic as the Apollo.

“I’m excited about the ballets we are going to perform because they show the diversity and the versatility of the company and our repertoire.

“The Apollo is also a great venue to perform with live music. Our show will demonstrate how two different kinds of art can meld so perfectly together and create such a magical atmosphere.”

Lauren Alzamora:

“Thinking back on last year, I recall being excited and nervous for Ballet Hispanico’s premiere at the Apollo Theater.  I didn’t know what to expect, especially with the live music component for two pieces…. And also the pressure of having Mr. Vilaro’s world premiere of Asuka, his first piece choreographed for BH.  The experience turned out to be incredibly enthralling and quite memorable.  The energy from the audience was palpable before we even opened the curtain.

“I have never worked with Paquito D’Rivera before but I am very excited to do so. I have heard such great things about him!  I think his and the other musicians’ improvisations will add a whole new dimension to Danzón.

“When there is live music, we as dancers tune in much more intently – and if something takes us by surprise (as it most certainly will) we pull together that much stronger.

“The Apollo is just around the corner! I am curious to see how people respond to their performance this year, as the program is quite different from last year. It is definitely a consolation of sorts to be able to picture the stage and the beautiful house in my mind’s eye, as I re-live last year’s shows. I hope Ballet Hispanico returns year after year to conjure up and take part in the magic of this historic theater.”

We all look forward to making magic on December 1! Find complete program and ticket information on our website here.

 

What does it mean to perform at the Apollo?

December 1st marks Ballet Hispanico’s return to the legendary Apollo Theater in Harlem. Last year’s premiere was a life-changing moment for our Company dancers, and this year will be no different.

We asked mix of dancers new and returning to the Apollo about their anticipation of the big night.

Company member Melissa Fernandez will perform on the Apollo stage for the first time this year:

“As a first season dancer with Ballet Hispanico, I’ve approached every tour and every performance with great excitement and joy. Performing at the Apollo will mark our first New York performance of this 2012-2013 season. This fact brings me even more excitement and anticipation because I have many family members who live in New Jersey and will have the opportunity to see me do what I love as a professional and support all the diverse and talented artists that make up Ballet Hispanico.

“Dancing at the historic and famous Apollo Theater will be a memorable experience in and of itself. Harlem’s Apollo Theater has been the stage where “stars are born and legends are made.” It will be an enormous honor to dance on the stage where such great artists as Duke Ellington and Bruce Springsteen have performed. As a new member of the Harlem neighborhood and community, I am looking forward to performing for the people of my community in Harlem and New York City as a whole. I firmly believe that Ballet Hispanico’s presence at the Apollo Theater is a positive and enriching artistic endeavor that will enable the continued growth of Hispanic/Latin-infused contemporary dance. I am proud and honored to be a part of it.”

Company dancer Donald Borror, now in his third season at BH, offers a different perspective on the upcoming performance at the Apollo:

“Performing at the Apollo is a big deal. It means something to everybody. You usually don’t have to explain much when you say you’re dancing at the Apollo.

Backstage, and especially in the dressing rooms, there’s an energy that is really special. You literally can feel the history oozing out of the walls. While onstage, the balconies are so enveloping, it feels like the audience is truly a part of the performance. It’s all very inspiring!

I am also thrilled to be working with Paquito D’Rivera! Paquito is just the nicest, coolest guy…which makes how incredibly talented he is even better!”

Donald Borror in A vueltas con los ochenta (c) Paula Lobo

To see Melissa and Donald in the World Premiere of A vueltas con los ochenta, click HERE for tickets to the Apollo!