We’re happy to see our dancers back in the studios for the new season–but have you ever wondered what they do in their off time? We caught up with some of our company dancers to see how they spent their summers. Click on a dancer to hear from them!
In addition to an exciting line-up that includes one World Premiere and live music, our upcoming New York Season at the Joyce Theater is especially noteworthy as we pay tribute to our beloved company dancer Vanessa Valecillos, who will be retiring later this year. Vanessa has played a huge role with the company since Artistic Director Eduardo Vilaro came on board at Ballet Hispanico, but her journey with Eduardo started long ago in Chicago when the two first met. Eduardo himself offered this thoughtful reflection on this very special dancer:
I met Vanessa Valecillos in 1997 on a Fourth of July weekend by the waters of Lake Michigan. We were meant to meet. We began to work together as I found that her amazing technique and dramatic instincts were rare to me. No other dancer I had worked with previously could drum up the very soul of Latin passion while subtly fusing it with classical line and modern sensibilities. We made duets together, we danced together, she discovered my choreographic idiosyncrasies and molded them for me to catalog in my mind. In essence, she became my muse. Yet there was more to her than just artistic inspiration, with an uncanny ability to bring others into the folds of a vision–she began to collect people for our work. Audience members, supporters, friends and donors all gave in to her magic. Seventeen years later, we continue the work.
This Joyce season we will pay tribute to my first muse with a devoted performance that demonstrates her talent and abilities to inspire. Please join us on Sunday, April 27th, as we honor Vanessa’s lifetime work as an artist. An unforgettable evening for such a remarkable woman.
– Eduardo Vilaro, Artistic Director
“No other dancer I had worked with previously could drum up the very soul of Latin passion…”
Program D of the Joyce Season, which takes the stage on April 27th at 2 pm, has been specially programmed to celebrate Vanessa’s departure and features Edwaard Liang’s moving duet, A Verme. Vanessa and fellow dancer Jamal Rashann Callender debuted this work at the Fire Island Dance Festival in 2012 and are looking forward to performing the work again in light of this special, personal moment for the pair. Vanessa and Jamal gave their thoughts on A Verme here:
A VERME at the 2012 Fire Island Dance Festival. (c) Rosalie O’Connor
A Verme is a rare and special treat for me because I have the opportunity to perform with Vanessa. As it will be performed in program D of the Joyce season, I am delighted to have our moment together on stage. It’s a perfect piece to perform because like our friendship and partnership, our connection will never go away. The duets speaks exactly to that matter. Two beings who always find one another in different life times. Though she is moving on, we will always find each other and dance together. This is for you Vanessa. Thank you for everything you have taught me. It has been an honor and extreme privilege.
A Verme. I am very grateful to perform this beautiful work by Edwaard Liang. The music and movement speak for itself. For me, it is about souls- those souls that I have touched and the ones that have touched me, wherever they may be. I am very excited to perform it with a very special person from the last 3 years of my career, Jamal Callender.
The work reminds me of a quote from one of Pablo Neruda’s poem “Pero hacia donde vaya llevare tu mirada, y hacia donde camines llevaras mi dolor.”
Thank you, Vanessa, for all that you have done for Ballet Hispanico! We have loved watching every moment of you lighting up the stage. Mil gracias!
The final countdown to the Recital has begun! With just one week left until the big day, School of Dance classes are excited to perfect their pieces. BH Company dancer Jamal Rashann Callender visited our Boys Workshop classes to mentor the students and, most importantly, have fun.
Here’s what Jamal had to say about his experience:
“The classes were amazing! We spoke about many things including respect and how to make best use of your time in class. One of the great things for me was connecting dance poses to “comic figure action shots,” which for dancers are actually staccato movements. It was great to see them take that advice and run with it.
“It was really great to be in a position where I can look at these boys and see myself in them. It made me want to give them as much feedback as I could; not only for each of them to excel, but also so that one day they will be in the same position I am today.
It was a great treat for me!”
Check out these awesome and hilarious photos below:
Labor Day is just a week away, and that means summer will be officially over. While that may be bad news for those of us who love the beach, it also means that Ballet Hispanico will be kicking off another exciting season full of new works and great performances.
Before we mark the beginning of fall, we have a final installment in our Company dancer summer vacation series! Jamal Rashann Callender shared his great break with us, capped off by his 2012 Princess Grace Award. Enjoy!
Summer Break? It flew by so fast with so many activities. After the company left the stage at Celebrate Brooklyn, I took a week to rest and reflect. Soon after, I was given one of the most amazing opportunities for which I am forever grateful. I was invited to celebrate the 80th Anniversary of Jacob’s Pillow. The Men Dancers: From the Horse’s Mouth was an homage to Ted Shawn (Founder of Jacob’s Pillow) and his men dancers. This performance was unique because it was all improvised, and I never worked with any of the other male dancers. There were 25 male dancers from various backgrounds and styles of dance, including Gus Solomon, Lar Lubovitch, and Arthur Mitchell. Each dancer also told a two minute story about dance, and I choose to talk about how I first learned to dance with my grandmother in Barbados.
I almost forgot to mention, before I actually arrived at Jacobs Pillow I had an emergency tooth extraction of tooth #32 (wisdom tooth). I missed the group bus heading to the Pillow and instead lay in my in bed. On that same day, toothless, in pain, with a numb lip and barely able to open my mouth, I received the wonderful news that I won the 2012 Princess Grace Fellowship award for Dance. I cried, and my mom and dad were so thrilled and proud.
I returned to NYC back at BH preparing for the DRA Fire Island Dance Festival where Vanessa and I premiered Edwaard Liang’s newest creation, A Verme. I had performed in this festival once before, so it was great to return to the same love and warmth of the organization that does a fantastic job fundraising to fight HIV/AIDS. Immediately following our weekend of performances on the Pines (Fire Island), Vanessa and I got on a plane to New Orleans to teach with the New Orleans Ballet Association (NOBA). This was one of the highlights of my summer. I love to give back to a community who, just like me, didn’t have the funds to go away to summer camp or dance program. These students were given a unique opportunity to work with professional dancers, directors and choreographers. Mr. Vilaro even came down and spent some time with the students which was rewarding for them as well. The program culminated with a performance which included a piece I created titled Slate.
Overall I enjoyed my summer break. Some may look and think it wasn’t a break; however, this was more rejuvenation I could ever ask for! I also played with my 11 week old Niece Aubrey who loves to smile. I have already started to stretch her and point her feet just in case…you never know!